Even with a couple small projects going, I was immediately
distracted by this dress when I realized, finally, that I had found one that I could
use the gold and black Chinese brocade my neighbor had given me. It had been
brought from China by a friend of her’s years ago, and when she realized she’d
never use it,
lucky for me, she
passed it onto me and said she knew I’d make something beautiful with it. But
with only four yards it would have to be part of a dress, not the whole dress. At some point, the Squirrel in me wants to cut out any remaining gold flowers and stitch them along the bottom edges of the skirt. Stay tuned for that but not in the next couple weeks is it going to happen.
This 1885 dress fit the bill. It was created by French designer, Emile
Pingat, and held in the Philadelphia Museum of Art collection. By enlarging the photo I was able to see what patterns I
could use for it, which made it easier.
I chose Truly Victorian #462 (1883)
Tail bodice ( with the short peplum) and Truly Victorian #263 (1887) Trained
Skirt (the center design).
I whipped up the bodice very quickly and then put it on my
dress form to work out how to do the brocade trims on it. Since my dress form
tends to be bumpy in different places than me, I laid the pattern out flat and
traced the lines that looked like the photo. Then I cut pattern pieces out of
that, and laid them on the dress form. That seemed to look right. The top of
the center portion slightly sticks up like a sail. I didn’t think the brocade
and my black silk taffeta would have the body to do that so I needed to put
some interfacing in it to hold it up. On the opposite side since the front
placket overlaps the other side, I can’t just sew the brocade following the
front lines, or it won’t come to that point at the top.
The sleeves actually look more like a
lace rather than the solid fabric down the front of the skirt. But I’m going
with the brocade all over. I had an idea for the sleeves to do something like this blue bodice with solid
black sleeves and a strip of brocade down it so it’s not completely the brocade.
But later I decided I wanted a little more continuity with
the brocade, and cut it entirely out of that, adding a black taffeta cuff with a brocade
tab on it. Right now the tab is just basted on, and I left a little tail
sticking up at the top to match the front of the dress trim.
Once I got all those trim ideas out of the way, the rest of
the dress went together fairly smoothly, with just the hem and the closures to
sew in by hand.
The first chance I have to wear this will be in the
Riverside (CA) Dickens fashion show next Saturday, February 25. The theme is
Victorian Dreams, so when I needed to come up with something for it, I decided
to accessorize this dress for it. I chose Titania, Queen of the Fairies, from
Shakespeare’s A Midsummer Night’s Dream. A few simple additions, like a long train of shimmery gold chiffon, a headdress made of Xmas gold ball decorations,
and a simple beaded gold necklace are my finishing projects this week.
After reading a short description of the scene where the
Queen is enchanted by the King to fall in love with the first person she sees,
which btw is a donkey, I knew I had to have a donkey with me. Without having
time to walk around toy stores for one, I found a small plush one that would do
on Amazon. I would have liked it a little bigger to be seen better from the
stage, but he’ll do. I love going for a few laughs.
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And of course I couldn't just be working on one dress all this time, right? You are correct. I suddenly decided I wanted to make a new sheer dress to walk around in during the Dickens Festival, since my Brocade dress isn't suitable for walking and dragging the long train in the streets. I had the fabric in my stash, and wanted to make this multi-tiered dress.
I
tried a new pattern for the bodice, Period Impressions #405, because it had the
little peplum going all the way around it. But it was too large all over, &
I ended up cutting out almost a new pattern to make it work. And wanting to cut
my throat. I probably should have made it using McCalls #5132 and just doing a
bit of altering. Next time for sure.
I
started it in a sewing workshop with Shelley Peters but only got as far as
getting a fitted bodice before I remembered I needed to get that Brocade dress
done. So this is as far as it got. And I got all the tiers of the skirt are
torn to the lengths I need to start the skirt. Since we all know that's not going to be done in time, I'm now considering wearing one of my earlier 1830s day dresses to walk the streets in.
But
then after having a little chat with Mara up in Washington about the Victorian
Festival on April 1, and figuring out what to wear in that fashion show, and on
the streets, she convinced me to make an 1890s skirt and blouse. I had just the
fabric for it; a brown polyester with dots of brown, cream & aqua. I had lots of it, cheap, and an easy pattern,
Truly Victorian #494, and #291 walking skirt. I have a piece of aqua silk
taffeta I want to try and run down either sides of the front closure, and add a
bow on the back of the neck, like they did in the 90s. I don’t have much of it
so I have to be careful.
I
got the skirt almost done, but had a little oops with the iron. Whoever heard
of polyester not melting when it’s on high heat with steam, but then melts when
it’s barely warm? What’s up with that!! I’m wasting a day just doing repairs on
it now. And with a week left until Dickens, it gets to simmer a little longer
too.
Yep,
squirrels are running all over here. Stay tuned for further adventures.
~~~Val~~~
