I took a
break from sewing after Costume College was finally over at the end of July. I
walked away with my brain fried, body exhausted, and mind frazzled. But a tiny
illumination of a dress kept popping up and reminding me I wanted/needed to
make it. I’d saved this painting above for a few years and finally found some
purple floral printed cotton voile I could use for it. I am in love with cotton
voiles, and keep a lookout for any that I come across. They’re so hard to find
anymore. I’ve seen a few of my friends with this same fabric and knew I had to
make mine not look the same as theirs. But I wanted it light and
floofy-looking. Because I liked the square neckline of the 1870s, I decided to
go with an 1873 style.
Before the mad rush of trying to finish things for Costume College, I was able to cut out most of my dress using Truly Victorian patterns # 462 with the short back, #201 for the skirt, with #303 for the overskirt. Both the overskirt and skirt would have ruffles around the edges.
And so they all sat until around mid-September when I finally felt the need to sew again. Since the fabric is sheer, I had originally planned on lining it in white cotton, and had cut out all the pieces, including the skirt for it. Except the white made it look washed out. So, I used some lavender cotton and that made the little purple flowers pop. The white fabric won't go to waste though. I will be making a petticoat out of it to go with this.
After having my bodice muslin fitted at Shelley Peters’ workshop, I got the bodice sewn quickly (no boning or sleeve ruffles yet), and then the skirt. But since my dressform was still downstairs after CoCo, it hadn’t been brought back up to get its corset and undies put back on, so my first reveal of it is rather sad, The neckline is actually a lot lower than this too. But it gave me a working view of how to do my trims.
The neckline will have a lace ruffle around it, and the sleeves will have self-fabric ruffles with the same lace on them. I first thought I would add a narrow purple ribbon along the edges of the neckline too, but remembered I had a purple silk rose I wanted to use on the front of my bodice, and it glaringly didn’t match the ribbon. So the rose won.
My buttons are from a set of vintage embossed rose ones that I bought a few years ago in Port Townsend, WA, at the Button Bazaar. My hat from Atelier Mela, was custom-ordered to go with this, and I bought a pair of grape cluster earrings from The Lady Detalle after seeing those.
Other than the skirt, that’s as far as I’ve gotten with this, and am a bit distracted by the thought of making a red/green plaid cotton bustle dress for some Xmas teas coming up. It would be so much more comfortable that the silk taffeta dress I’ve worn in the past, but if it doesn’t happen, then that dress may get some white fur trim added to it.
Before the mad rush of trying to finish things for Costume College, I was able to cut out most of my dress using Truly Victorian patterns # 462 with the short back, #201 for the skirt, with #303 for the overskirt. Both the overskirt and skirt would have ruffles around the edges.
And so they all sat until around mid-September when I finally felt the need to sew again. Since the fabric is sheer, I had originally planned on lining it in white cotton, and had cut out all the pieces, including the skirt for it. Except the white made it look washed out. So, I used some lavender cotton and that made the little purple flowers pop. The white fabric won't go to waste though. I will be making a petticoat out of it to go with this.
After having my bodice muslin fitted at Shelley Peters’ workshop, I got the bodice sewn quickly (no boning or sleeve ruffles yet), and then the skirt. But since my dressform was still downstairs after CoCo, it hadn’t been brought back up to get its corset and undies put back on, so my first reveal of it is rather sad, The neckline is actually a lot lower than this too. But it gave me a working view of how to do my trims.
The neckline will have a lace ruffle around it, and the sleeves will have self-fabric ruffles with the same lace on them. I first thought I would add a narrow purple ribbon along the edges of the neckline too, but remembered I had a purple silk rose I wanted to use on the front of my bodice, and it glaringly didn’t match the ribbon. So the rose won.
My buttons are from a set of vintage embossed rose ones that I bought a few years ago in Port Townsend, WA, at the Button Bazaar. My hat from Atelier Mela, was custom-ordered to go with this, and I bought a pair of grape cluster earrings from The Lady Detalle after seeing those.
Other than the skirt, that’s as far as I’ve gotten with this, and am a bit distracted by the thought of making a red/green plaid cotton bustle dress for some Xmas teas coming up. It would be so much more comfortable that the silk taffeta dress I’ve worn in the past, but if it doesn’t happen, then that dress may get some white fur trim added to it.
Since I am
leaving shortly for a vacation, this is as far as everything has gotten but I
hope I come home rested, and ready to get back to work on everything.
~~~Val~~~