I’m a big fan of Downton Abbey so that came into play also.
In my mind I pictured the manor house with visitors, parties, and of course the
butler. The first “educational” bit I wanted to put in was about the use of
calling cards, and having the butler announce each visitor/model as they
arrived with their calling card. The various activities the upper class ladies would do in the home
besides visiting or receiving friends, were included too, like afternoon tea,
needlework, reading, and painting. And later there would be a scene in the
dressing room where new styles of dress and millinery would be shown using
fashion plates, and of course live models. Since my plan this time was to have “scenes”
and have the ladies stay onstage and seated each time after their presentation,
I could only put five of us at the most on the small stage at a time.
I looked through Pinterest for photos of Victorian parlours
to give me an idea of how I wanted the stage decorated. Even though Victorian
is usually busy with lots of niknaks, I needed to keep it a little more sparse
so as not to distract from the models. This was my idea I went off of; a small
round table that would hold teapot and teacups, and a large poster I purchased of
Queen Victoria and mounted on poster board. And I pulled out some Boston ferns
and containers I had stored away for some greenery. For the dressing room
scene, we would replace the tea items with a bonnet and a couple fashion
plates.
While setting everything up the day before the show, I walked to the back of the room to see how it looked and if everything was visible from there, and then took multiple photos, moving things around until I was satisfied. Except I didn’t like how plain the table was looking. Originally I was offered a Tiffany lamp to put there, but I was afraid we would knock it over moving around with our big skirts, or stepping on a tablecloth, so I declined it. I ended up putting a vase together with peacock feathers to place there. If I’d had more time I would have looked for a cheap Chinese vase but at a distance this would suffice. I thought this was very Victorian.
We all remembered last year at this time, it had been 105d
during our set-up, and the next day “cooled” down to 95d. So we were not at all
unhappy that this year it was raining, and would only be 63d the day of the
show.
I spent about a month writing drafts of the narration for
this show, including all the ladies dress descriptions. Since we only have a
half hour I have to keep the descriptions to 1- 1 1/2 mins each, and I time
myself reading each one to make sure I can get it all into the time limit. It
also has to flow into each transition.
We have a wonderful gentleman we’re able to use during the
show, our Narrator Nancy’s husband, Russell, who helps us off and on the stage,
and this year I wanted him to be included even more. For the beginning of the
first scene, Nancy, began with her husband, Russell, arriving in his butler ensemble
she had made for him. Russell brought out the teapot and placed it on the
table, then Nancy described a butler’s duties and his outfit. Since I was the
only one available with an 1830s dress, I came out as the lady of the house. I wore my 1834 Persimmon dress. After doing my
twirl, I sat at my table and poured myself tea. Then my first “visitor”
arrived, -“Mrs. Lakin, Madame”. Robin
was wearing her red and brown 1850s dress. After her twirl, she sat at my table
and I poured her tea. Afternoon tea history was explained by Nancy. From there,
after each lady’s dress was described, they were to sit on a chair and pick up
the “activity” that Nancy would describe. The next visitor was Karen, in her
red & black late 1850s dress, whose activity of reading in the home was
described as she read from a small book after she sat in her chair. Next was
Sarah in her 1860s cream and black gown. She brought her own needlework she was
working on, and sat doing it as it was described. My final “visitor” was Birda, in
her cream and pink 1870s dress, and she demonstrated painting and sketching.
At this point five of us were seated onstage at once, and I
think it gave the audience much longer to see and admire all the gowns. We then
exited as Nancy announced we would now enter the dressing room. Cindy arrived
in the latest Paris fashion of 1870s in her blue and white Seaside dress. At
the table she began looking at fashion plates, as Nancy described how the
latest fashions were shown to women using magazines and ads. The next “fashion
plate”, Trudy, arrived wearing her 1870s white and pink flower Tissot dress.
Now looking at a millinery fashion plate, as the next model April arrived in
her green and pink 1880s bustle, and wearing her new bonnet. To segue into
women outside the home, our model, Terri, arrived wearing her navy blue 1890s
bicycling outfit. And finally I was able to work Nancy into the fashion show
theme, wearing her 1890s claret walking suit.
With it being hectic as usual, I forgot to hand my camera to
someone in the audience and ask them to take photos of us onstage. I still hope
that some photos show up at some point, but we did get one of all of us
standing onstage afterwards. Then we stepped off the stage and wandered among
the tables so the ladies could get a close look at our dresses. Everyone looked so beautiful.
Afterwards we were served our own tea at a couple of the
tables, and then waited backstage for an hour until the next show. Notice I
didn’t hand my camera to anyone for photos of me? Goes with the territory of
being a busy manager.
After that show, we all walked outside to the back area and
took photos of each other. And, nope, none of me here either but I know Trudy
took some of me.
And look, photos have been popping up that I'm in! These are from Trudy, who was also one of the models. Proof that I was dressed and in the show!
And these are a couple beautiful group photos she took of us. *Thank you, Trudy!*
*********************************************************************************
Now I have four weeks until I leave for Williamsburg, and do
my presentation on bloomer gowns at the ALHFAM conference. I had a major snafoo
when my co-presenter, who had originally proposed doing it with me, and was
bringing an extant bloomer gown down from New York, suddenly and with no explanation,
dropped out. Just like that. After a few days of panic, I regrouped, and
contacted the Programming Director and told them I would still do this but
needed to change a few things. One of course was the description of the class,
which the two sentence one my former presenter had written embarrassed me after seeing the
other ones being presented. I wrote a much more descriptive one and then got a
new co-presenter! Jody Luce, who
portrays the original bloomer lady, Elizabeth Smith Miller, in Peterboro, NY, said
she would do it with me, and she could bring the extant bloomer gown with her.
*BIG SMILE!*
All of this was approved by the Programming Committee, and
they're currently changing the program book. So now Jody and I are going to
start working to put our presentation together. And the topper to this: I’ve
been asked to represent the San Diego History Center http://www.sandiegohistory.org/ and use their logo on my slide and my
business card while there.
~~~Val~~~
Dear Val,
ReplyDeleteWhat a clever, multi- faceted presentation! When she I could have been in the audience...
Very best,
Natalie
Thank you Natalie. Sometimes I wish I too were in the audience so I could see what I created. :)
DeleteVal
What an amazing effort, Val!
ReplyDeleteThank you, Eva. I enjoy it even tho it's a lot of work.
DeleteVal
What a wonderful fashion show Val! I need to come for a visit and attend one of yorus!
ReplyDeleteblessings!
g
GINA!!! You would be welcome to be in any of them ANYTIME!!
DeleteVal
Looks fabulous! Keep it up!
ReplyDeleteThank you, Adam. I know you appreciate all the work that goes into these.
DeleteVal