I think in
the past I’ve done my Year in Review at the end of the year so its on my final posts of
2018. But I had no time in December to do that. But it is fun to see what you
actually accomplished and then sometimes surprise yourself that you were much
more productive than you thought you were.
**Edited to add- I had to add this photo where I was on the cover of this month's issue of the CGW newsletter, Squeals, even though the year is wrong.**
I’ve already started planning this year’s outfits but I know things come up and they get sidetracked. But its always good to have a beginning plan.
I started
out the year finishing up a dress I’d started in November 2017 for the
Riverside Dickens Faire the following February. It was my first multi-tiered 1850s dress. I had a lot
of trouble with the bodice using a too-large Period Impressions pattern #405,
when I could have used a McCall’s pattern that had the same shape and fit me. I
also tried to make the skirt just by cutting the fabric and making tiers but
finally had to use a Truly Victorian pattern to guide me. After making this I
swore I would never make a multi-tiered skirt again. But I have plans for a double-tiered plaid dress now.
For the
Victorian Festival in Port Townsend, WA, I made an 1894 plum-colored suit to wear,
along with trimming an antique hat to match it. At the last minute I cut
out and finished sewing an 1897 evening dress while I was up there. I didn’t
get a proper hat made for it until a few months later, and I made a cute little
black velvet capote that sits on top of my head.
I had
already been planning and working on some of my wardrobe for Costume College
this year, and felt like I had to come up with some good ones. But I also
wanted something fairly easy to make and get around in during the daytime. I
decided on two 1795 day dresses with linen open robes, and then a fancier one
for the Friday Social with black embroidery on the hem, and a black velvet open
robe. But first I had to make a petticoat to go under the dresses since they
were all sheer. It was easy. I just made the skirt portion of the dress but
with a bit less width, and then added a waistband with shoulder straps. Easy
peasy.
To make it
easy on myself, I did an assembly-line cutting of the two dresses, and then the
open robes. Except I accidentally used the bodice pattern piece for my bodiced
petticoat, which has a deeper and wider neckline, so the shoulders kept falling
off on me all the time I wore them. Those will be getting a new bodice cut out
for them. Someday.
I had the
best time working on my Gala dress, which evolved from a couple different time
periods over the months, and finally decided to be an 1830s dress. I focused on
one painting of Queen Victoria that had a train that attached around her waist.
About a month before Costume College I came across another painting of a lady
in her court dress at the marriage of one of Queen V’s son. And that became my
dress.
I took a
break after Costume College since I was exhausted and played with a couple new
outfits but was all over the place with really working on anything. I finally went
back to working on a new cotton voile bustle dress and hope to finish that this
year for when our warm weather starts.
In November
I signed up to attend a couple Xmas teas and decided to make something new, an
1873 polonaise and skirt, using a red plaid fabric. I just added some Xmas
mistletoe to the top of the antique bonnet I wore. After seeing the photos, I
want to adjust the way the polonaise opens in the front to more of a curve, and
play with the bustling in the back too. But not bad for a quick outfit.
**Edited to add- I had to add this photo where I was on the cover of this month's issue of the CGW newsletter, Squeals, even though the year is wrong.**
I’ve already started planning this year’s outfits but I know things come up and they get sidetracked. But its always good to have a beginning plan.
~~~Val~~~
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