January 28, 2013
This was a
long road from Jan of 2011 when I first came across an incomplete pattern for an
1850s Bloomer gown that was copied from the original gown in the San Diego
History Center’s costume collection. It
was like discovering a treasure chest and everywhere I turned, I was finding
jewels.
Falls, NY.
We
originally had me set to stand behind the podium but the slideshow would be
showing on the wall behind me, and as each photo is shown, I have a tendency to
give more details on it than what I have on paper. So I need to look at them as
its going. I ended up pulling up a chair facing it. Of course we had some minor
technical problems with not knowing how to operate some of the equipment but it
was minor and the show went on. I enjoyed the questions I got and the laughter
I provided sometimes. Later the ladies attending said they were fascinated by
this little know article of clothing and didn’t know the history behind a very
important time that had a major effect on the way women would dress. We all have
our predecessors much to be thankful for. Remember that next time you pull on
your jeans.
After
spending many hours on the internet and on emails contacting museums and
historical societies for information on Bloomer gowns, on Amelia Bloomer, and
its originator, Elizabeth Smith Miller, I was discovering a whole new world I
didn’t know about. And I barely scratched the surface of women’s suffrage. These
are the women I came to know: Amelia Bloomer
Susan B. Anthony, Amelia Bloomer, & Elizabeth Cady Staunton at SenecaFalls, NY.
Three
different historical societies sent me copies of newspaper articles, woodcut
photos, and copies of documents they had on Bloomers. And each one would
“introduce” me to someone else who might help in my search for another Bloomer
gown in existence. As far as they knew, they had one of only two in collections
that they knew of. They were all excited when I told them about the one in San
Diego.
I was
honored to meet via email a professor from John Hopkins University, Pamela
Poulin, who wrote a thesis on Amelia and shared much of her information with
me. She even extended an invitation for me to stay with her if I’m ever in
upstate New York and she would give me a tour of the museums I’d been
contacting and introduce me around. Very nice for someone you’ve never met!
Then she
introduced me to a lady, Jody Luce, who portrays Elizabeth Smith Miller, who
originated the bloomer pants and met Amelia Bloomer. She even lives in Miller’s
historic home in Peterboro, NY. Jody is known as the Tailor of Peterboro too.
We started sending information and photos back and forth and finding new
tidbits for each other. And even funnier, at presentations we both did wearing
our latest version of a Bloomer gown, we both had ended up wearing a walking
boot on our leg from an injury.
I have to
say I’ve felt very good with everyone helping me in my search, and I was even
more happy when the San Diego History Center asked me to share what I learned
with them in a presentation at the museum. It felt right that I should continue
paying it forward and helping them share “how our past, present, and future are
interrelated”.
Last October
a date was set for me to present my “Amelia and Her Shocking Bloomers, and the
Lost Pattern”, at the museum for Jan 28, 2013. During those few months I was still
getting some photos and information sent to me that I managed to update my
slideshow with for their presentation. As the date got closer, I was getting
nervous. This was a big thing for me; something I would never had thought I’d
be doing. The week before, I read my
papers over and over to get familiar with them again. I rearranged my slideshow
a few time, and a couple nights it even kept me awake with what a friend calls
my “monkey-brain”. You know, its chattering around in your head and won’t stop?
My husband said a professional would be able to do this presentation without
having to read it from a paper. Well, I’m not a professional. I’m just a
costumer who enjoys making historical-looking costumes for me and I’m not even
a great seamstress. So I have to read from my papers. Its six pages long with a
lot of information and I don’t want to miss anything.
Then I did
some quick corrections on the closure of my Bloomer gown just knowing some
“professionals” might be eyeballing it. Yikes!! It wasn’t perfect and I don’t
claim it to be. But the pressure was on, especially when they told me the
Costume Council had requested they change the time of my presentation from the
normal evening hours to daytime so they could drive down from Los Angeles for
it. Sadly this prevented many of my friends from attending since it was a
weekday and during working hours. But my friends didn’t let me down. Some
members from our San Diego Costume Guild were able to attend, and some from
Costumer’s Guild West in Los Angeles drove down here for it. Thanks guys! I
really appreciated that! But sadly again, the Costume Council didn’t make it
down. So I’ve left the door open for the future if that ever works out for
them.
On the day of my presentation, I arrived two
hours early so we could set up and have me get familiar with the digital
projector, and make sure the room was set up as I wanted it. It was in a medium
sized room with round tables set up, a podium with microphone and screen on the
back wall. There was a long table for me to put out my photos and things I’d
collected. I included an enlarged photo of Mary Thurston Stickney, the owner of
the original gown, along with 8x10 photos of the gown I’d taken. I also put my
copy of the Bloomer gown on display, and wore my newest version. The museum advertised this as a Fashion Talk
& Tea, and they weren’t kidding. They did a very nice spread of afternoon
tea sandwiches, scones, and fruit, along with some tea, and set the tables with
china plates and cups. That rang the right bells with me since I love afternoon
tea.
The next day
I received this very nice thank you from the History Center:
San Diego History
Center wrote: "Val, On behalf of all of us here at San Diego History
Center, thank you for providing an engaging, enlightening, and informative
talk about our 1851 Bloomer ensemble in our Costume & Textile Collection
and the efforts you took to recreate this pivotal garment in the Women's
Dress Reform Movement! Your presentation went a long way in helping us to
achieve our mission here at the History Center, which is to help people of
all ages learn about, and enjoy, the history of San Diego, and to appreciate
how our past, present, and future are interrelated. We look forward to
working with you and the San Diego Costume Guild on future programs and
projects in the future. :-)
So how am I going to
top this?
|
This week in school I assigned the pages to read for a Jean Fritz biography on Elizabeth Cady Stanton. This week we were studying the years of 3 different US presidents, during which time Stanton fell in love with the bloomer, wore it, then got rid of it to try to get her message to be listened to more. The bloomers were too much of a negative and kept people from hearing her message. While reading that I was thinking of the costume you made.
ReplyDeleteLaurie
Hi Laurie, yes, these ladies only wore them a couple years because of the focus on them and not their message. But they got their message across and the style caught on. Women crossing the US wore them, pioneers on farms started wearing them, and there are photos of women during the 1860s-80s wearing them. Later they evolved into gymnastic pants, bathing suits, and bicycle riding pants.
DeleteThis sounded like a lot of fun and a real growing experience. We have much to thank these ladies for.
ReplyDeleteCongratulations on your successful presentation. The San Diego History Museum sounds like a first rate organization.
ReplyDeleteRochelle, ATAA
Dear Val,
ReplyDeleteSounds like a success all around. Congratulations!
Very best,
Natalie