This is a photo diary of my costuming "travels"; where I've learned and struggled to make historical costumes for myself. They're not always pretty, but always fun, most of the time. And I want to share with others what I learn along the way. **You can find me on Facebook, https://www.facebook.com/Time-Traveling-in-Costume-640703499399817/ or have my posts delivered to your email by signing up at the lower part of the right column.**



About Me

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HI, my name is Val. I'm a member of Costumer's Guild West in Los Angeles, Dean of 2018 & 2024 Costume College; Past President of the San Diego Costume Guild, and a representative of the San Diego History Center. I also put on historical fashion shows for various groups. I make my own historical costumes but don't sell any unless I get tired of one.The eras I've made so far are 1770 up to 1918. My favorite is the 1880s bustle.

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Showing posts with label 1850s Bloomers. Show all posts
Showing posts with label 1850s Bloomers. Show all posts

Friday, June 26, 2015

The Bloomer Dresses of San Diego & Peterboro, NY, Meet At Last

I just returned from my trip back to Williamsburg for the ALHFAM Conference at the William & Mary College, and I still can’t believe it happened. Mostly I can’t believe that my co-presenter, Jody Luce and I got to meet in person and hear each other’s voice after a few years of emailing back and forth and sharing information about both our passions. We even celebrated the anniversary of first becoming friends on Facebook while we were there. She and Melanie (one of her Bloomer Brigade in Peterboro, NY) drove 9 hours to attend the conference just to do this one class with me. Jody portrays Elizabeth Smith Miller (the original lady who wore the short dress with Turkish trousers) and even lives in her historic home. Prior to my contacting the historical society there, knowledge of these two dresses were unknown to each other.
Most exciting to both of us was the bringing together from opposite coasts these two historic and unique garments related to an important time in women’s history in the 1850s, the Women’s Rights Movement, and a garment that would influence women’s dress in the decades to follow to this day.


Neither Jody nor I knew each other’s style of presenting our stories, so we both enjoyed seeing and watching each other tell them. I learned a few new things from her on the bloomer dress: that it was mostly a very stylish and fashionable dress, rather than a utilitarian one that I was leaning towards.  And later versions that I *thought* were bloomers, were actually more of a coat with men’s style pants, similar to those worn during the Civil War. But the idea of wearing pants remained as the focus. The “bloomer-style” dresses were short-lived just barely into the 1860s, with the advent of the crinoline hoopskirt, with possibly one “late bloomer” in the early 1880s by Marietta Stow. The rest were mostly gymnastic costumes or bathing garments.
Our arrival for our presentation at the W&A was rather confusing. I never met anyone on the day of registration. I found the college information desk with two students, asked where I go to pick up my papers, and was told they had it. So I got those, along with an ALHFAM-logo tote bag with a metal water bottle. And I left. The conference and classrooms are scattered all over the campus and I had a hard time finding anything even with a map since the buildings mostly were not marked that we could tell. We had to scout out the place the day before just so we could find out where we were going to be at. I didn’t attend any classes or dinners because I was only in Williamsburg for a few days and had friends I wanted to visit. So I may have been able to talk to more people if I’d done that. But considering I didn’t know anyone there I would have felt out of place. Also, I found out later the majority of attendees are not students or costumers there to learn but managers and directors of living history museums who share and learn how to run their locations. At least that’s the impression and knowledge that I picked up. I did meet a couple attendees who I would actually consider students but that was it. I was kind of a fish in the wrong pond there. I did make it clear at the beginning of my presentation that I was a costume interpreter, not a reenactor, nor an expert in any field. I simply wanted to share these dresses and the wonderful bits of history related to women.

We had a nice classroom, and it was comfortable, considering it was horribly hot, almost 100d and a closely matched humidity outside, and being in full costume made it harder on us. Both Jody and Melanie and I were dressed in our favorite bloomer outfits. Right there I wanted to say our gowns, but I was told by one of the attendees in class that I shouldn’t use that term and it wasn’t used back then. I had been using it to clarify that this was a dress not underwear whenever bloomers were brought up, but from now on, I’m to use dress or costume. These were also known as the American Costume. The room was already set up with a computer, projector and screen so all we had to do was plug in my thumb drive and we were off. I brought my green silk dress I recreated from the one held in the San Diego History Center's costume collection, using the Past Patterns pattern I had, and displayed it on a dress form. Jody brought the black wool one from the Cortland County Historical Society in NY, and laid that out on a table to show it to everyone. That one was definitely a show-stopper as it was an original one, compared to my re-creation, and it was beautifully embellished with velvet appliqued leaves and berries. The skirt has trimming all down the front and around the hem. The bloomers are gathered at the ankles with a repeated trim. The jacket was the prettiest part. It has a lapel collar, and closes at the waist and spreads open below. The trimming was repeated on it too. Most likely a blouse or chemisette was worn under it. The dress had been discovered stored inside a steamer trunk in the basement of a bank which had closed, and only found when it was purchased by another bank years later. But it still remained there for years until a historical society took possession of it. It had the name of the owner and was dated. But nothing else is known about it. I really enjoyed hearing that story.
The story behind our San Diego dress was that it had originally been made as a full length dress when it came to CA, between 1848-50. About 1851, the owner, who was also known, after seeing the reports on the bloomer dresses in NY, had it shortened and her bloomers were made using that cut-off portion. In a diary her niece stated that she was never seen wearing it on the streets.
Another surprise I had about the NY bloomer was that it also was a split drawer design of pants, although it differed from the SD one in that it buttoned at the waist on both sides where the back opened down, but was split to the front like drawers. When this was shared with the class, it caused a lot of excitement and questions about why this was so. We had one gentleman in the class and he asked a lot of questions because in his own presentations, he said he’s asked quite often about these things. I even “demonstrated” in a lady-like way, how the split drawers are convenient. We told him since ladies didn’t talk or write about their underpinnings, it’s mainly supposition why these particular bloomers were made as split drawers but from a female point of view, it made sense that since you’re already wearing split drawer underwear you wouldn’t necessarily want to prevent their usage by wearing a closed pant over them. Another supposition that Jody and I both have is there weren’t any patterns immediately available for making bloomers so they used what was at hand.
Our attendees to the class were very interested and asked a lot of questions, so that was very satisfying. I had brought brochures from the San Diego History Center that Gabe Selak had given me, along with postcards, and they were picked up. Also some of my business cards and info on my blog were taken too. Jody brought framed original bloomer artwork and music sheets. Jody and I are both hoping that word gets out about these gowns and maybe others will come to light. At least we hope these two will get some more attention and people will contact their prospective museums.




My main disappointment with this conference, other than the confusion, is that my former co-presenter, Pam Poulin, who had first pushed me into doing this with her and then suddenly disappeared, still has her name with mine on the ALHFAM website. I was promised that even if that wasn’t changed, it wouldn’t be in the student handouts and Jody’s would be there. I heard one lady said when she saw Pam’s name, she wasn’t going to attend. But when she walked by the room and saw Jody’s instead, she came in. And she was glad she did. Considering I was hearing Pam has quite a reputation for being half-baked, I now wonder how many others didn’t attend either. I would have preferred distancing myself from her, and getting Jody the recognition she so deserves. I found out there is a program book produced later on from this conference with information on each class and given to the students. They’re going to get an earful, and I’m going to make damn sure they get THAT right.  *Rant over*
*Edited to add* I got my package in the mail today that I had mailed to myself from Williamsburg with all my class papers, and found the student handbook, and it DID have Jody’s name in it. All is well.*
And speaking of that program booklet, we heard we’re supposed to write an essay to be included in it from our class, with documentation. EEK!   No one told me anything about this but given how the rest of it went, I’m not surprised.  I haven’t the vaguest idea of what they want so I hope someone tells me, or gives me examples of what to do.
I want to send out big hugs to Jody and Melanie, for coming to my rescue, and making this all possible. I love that I am now part of their Bloomer Brigade and hope we bring more ladies to it.
As an after-effect of doing this, I now want to make a new bloomer dress (darn, still wanted to say gown) in a prettier fabric and have straight sleeves because I’ve always hated those clumsy pagoda sleeves.
In case you wanted to see that beautiful bloomer dress from Peterboro, here are some close-up photos I took of it. It was a three piece outfit right down to the matching tiny little shoes. 





I came home to a very happy kitty, who has been letting us know all day and ALL night just how happy she is. I can’t complain. I missed her too. 

~~Val~~


Monday, April 13, 2015

An Update to my Bloomer presentation at ALHFAM

I felt I should put an update in here since many of you and my friends on Facebook have been so supportive of my presenting my Bloomer dress at the ALHFAM conference next June in Williamsburg.
Well, the good news is my proposal was accepted, and even better, I was awarded the Fellowship. Prior to this, I'd never heard of a  Fellowship, except relating to colleges and doctors, and found out it's a scholarship. I also didn't understand that I would have to pay $425 to attend the conference just so I could do my presentation. That was a major stumbling block to me and was almost the tool to end the whole idea, other than if they would just let me show up the day my class was scheduled and do the presentation. This conference is not exactly in my field, although I will keep an open mind when I arrive.

Part of what I had to do to apply for the Fellowship was to write my resume of all my accomplishments. That was tough enough. Then I needed two referrals from people who knew me. *Hello! Does anyone here know enough about me?* But I lucked out when I was contacted by our current Dean of Costume College, who offered to write one for me. It was very humbling to read it. I feel like I need to keep up my standards and make her proud of me now. And then I contacted the San Diego History Center, which contains the extant bloomer gown, and asked those who I have worked with if they could write me one. Gabe, who has known me for about 8 years, was very happy to write one for me, and is also a member of ALHFAM, so he's familiar with what they offer and might need from me. I have to tell you, I was thunderstruck at what he wrote about me. He got everything down that I have done in the past years with them, fluffed it up, and literally had me glowing. *I'm glowing!*
Thanks to these two wonderful people and their recommendations, I was awarded the Fellowship and will soon be reworking my slideshow presentation to update it. I am co-presenting with Dr Pamela Poulin, PhD, who specializes in Amelia Bloomer and the women's reform movement. We're trying to figure out how to interweave our stories together so we're not jumping all over the place. With her being in NY, we've done this via emails and phone calls. It's a little harder than it sounds because there's always a delay in responding. And I'm nervous because of where I'm speaking but I have to remind myself to just be me.
This past weekend, while at Balboa Park, I ran into Gabe and after thanking him profusely for his referral, he broached the idea of allowing me to bring the extant gown from the History Center's collection. I wasn't sure because Tammie, in the Collections Department, had told me it was very fragile. Gabe said he's going to talk to her about that possibility. AWESOME!!

At least there's some sewing plans to go along with this. I'm going to be wearing my brown cotton Bloomer outfit, but need to make a new pair of bloomers to go with it since my others are too short. And I need to get those hooks aligned on the bodice to the skirt since I screwed those up. I'm seriously considering just attaching the skirt to the bodice permanently instead. Yeah, more work but seems more feasible. I'd thought I'd make a brand new colorful outfit but since there was a delay in even knowing if my class would be accepted, then an even longer delay if I would get the Fellowship, that I haven't left myself time to make a new one since I have other spoons in the kettle, so to speak. I do want to find a new straw hat since the crown on the one I use is a bit too flat. There was some talk among my friends about maybe wearing Regency out to dinner while I'm there but I haven't heard anything else confirming this, or if any of them are attending now. So I'm holding off, although I may make my rose linen spencer to go with my white voile dress. *just in case*  

~~~Val~~~

Saturday, September 6, 2014

Exciting News to Share!

Many of you will remember reading about my re-creation of a Bloomer gown, and working with Past Patterns who had started the pattern years ago after tracing off an extant gown in the San Diego History Center but never finished it. In the ensuing years I did classroom presentations on it and also one at the History Center.
 

Early last month I was contacted by Pam Poulin,  Professor Emeritus from John Hopkins University, who had helped me with my research on Amelia Bloomer and the Bloomer gowns, and who also pointed me to Jody Luce (aka The Tailor of Peterboro) who portrays Elizabeth Smith Miller. Pam asked if I would be interested in doing a joint presentation with her on the Bloomer at next year’s conference by ALHFAM, http://www.alhfam.org/    comprised of living history interpreters and historians, to be held in Williamsburg, VA in June 2015.
At first I was shocked. Then a bit scared and uneasy. I went into my mode of “they know more than I do and I’ll look like a fool”. But that only lasted about ten minutes. I remembered thinking the same thing when I was asked to join a costume guild, and then to go to Costume College until I found out we’re all different skill levels and we’re all the same. So of course I said YES!
Pam told me when she approached the Directors for ALHFAM about doing this, they were very excited so she wanted my approval and input. For the past month we’ve been putting together our proposal for the presentation to submit it. We still need the final approval but Pam is quite certain they'll like it. But I’ll still hold off a little longer on my jubilation. In fact, that’s why I haven’t said anything until now. We should know by January if we’re on the schedule and then I can really start sweating.
I will be bringing my reproduction of the San Diego bloomer and will be wearing my other one. Or as The Squirrel says, “You have to make a new one!” Pam portrays Amelia Bloomer and will be wearing her’s and telling more about Amelia and the Women’s Movement. She also plans on bringing the “other” Bloomer gown held at the Courtland County Historical Society in New York. Until I came out with my gown, they thought they had the only one in existence. I think it’s going to be very exciting.
I let Jody Luce know about this and she hopes that she and her Bloomer Brigade may also be able to come and join us.
 So, to any of my friends in Williamsburg: here’s your chance to make something new, a Bloomer, and come join us! I’m throwing down the gauntlet. If you’re serious about this, contact me and I can give you some quick and easy options for making your own, not just with this pattern. Or you can always come to the presentation and learn how.
   
                                           ~~Val~~

Monday, August 12, 2013

Women of the West fashion show in Old Town San Diego

August 12, 2013
I’m about a month behind catching up with blog entries because I just got back from Costume College last Monday and I was working like a madwoman trying to get everything done for that. And it’s taken me a week just to get almost everything put away, although my sewing room still looks like a disaster.
So backing up to July 20 was the Women of the West fashion show in Old Town San Diego. It was to be a timeline from the early Californios in Old Town about the 1820s up to the 1880s, basically to show the change in clothing. I was asked if I would be in it wearing my green Bloomer gown after showing documentation that it was worn in CA, and had ties to San Diego. Why yes, there’s one in our SD History Museum! I wore my brown cotton Bloomer dress to Old Town last year during the Twainfest celebration, and caused quite a stir among the docents who began clamoring to wear one too.
There’s an old rebuilt adobe house built in the middle of Old Town SD Park, Casa de Estudillo that surrounds a huge courtyard full of period plants and decorations. The tour of this house is a must-do when visiting the park.
A group of our costume guild members got together beforehand and went to tea in costume up the hill in Heritage Park to the Coral Tree Tea House. Since it was a warm and muggy day I wanted to wear my brown cotton Bloomers and also not take the chance of ruining the green silk one. It was a very nice tea, I had plenty to eat and was able to sit and talk about a half hour before I had to walk back down the hill into Old Town and change into my green Bloomers.
 


















 I met the other models inside the courtyard and many of us began our changing into our costumes to wear. I took a lot of photos "backstage" while we were waiting to go on. 

 
 
 


Our “stage” was in the middle of the courtyard walking around a large water fountain. As the narrator, Vanessa, started the story of our clothing timeline we were all doing little vignette-type scenes instead of just walking out and parading around. My group was going to show how the silhouette changed from the huge bell-shaped gowns of the 1850s with up to 10 petticoats to the drastic dress reform of the Bloomers to the invention the cage crinoline, or hoopskirt. One daring young lady wore just the underpinnings to show “what was under there”. Along with my Bloomers was Dolly who was wearing the full length version of the same pattern as my Bloomers but before it was altered to Bloomers. It was interesting to see the before and after of it. The pattern was from Past Patterns #811, which was where my Bloomer story began.
These are photos taken by Darlene R. & Mary J. from our costume guild of the other performers.




  
  
 
   













 

It was a lot of fun joining in with this group. I always have such a good time doing historical fashion shows and it looks like my costume closet is getting a good workout now. I’m almost ready for any time period. Bring it on!
Later our guild members walked around Old Town and spent a good part of the day having our photo taken with the public. We had a great time with an Indian family (all the way from India) who were so excited to have their photos taken with us. And the Japanese tourists are always so much fun too.
Trudy F. took some really pretty photos of us, and this was my favorite one.
 And isn’t it always true that one thing leads to another? With women, it’s often clothes. I didn’t feel very summery in my brown cotton Bloomers so a nice summer color is on the drawing board.