To read Part 1, go here http://timetravelingincostume.blogspot.com/2014/05/beginners-guide-for-fashion-shows-part-1.html
Fashions Through Time 1810-1910
Presented by the San Diego Costume Guild
I give our Narrator a copy of the entire narration along with stage
prompts about 4 days before the date so she can work on it ahead of time and
maybe print it out in larger text or whatever makes it easier for her to read.
I usually include prompts of when a model is brought out by the Escort during
the narration, or takes a pause while she reads some extra narrative. She and our Escort already have a way to
signal each other and her signal to the model when she’s done reading their
narrative is “Thank you _____”. This tells the model her time is up and the
next model is coming out. For my show I’m having each model wait when she’s
done and our Escort will come out with the next model, and then walk her off.
Fashions Through Time 1810-1910
Presented by the San Diego Costume Guild
This is the artwork I did for the program I’ll be printing up for the
fashion show this coming Saturday in Alpine (CA). I do it on a Word document,
using the landscape/sideways page layout so all this will be on the right side
of the page and can be folded in half. On the other side of the same paper will
have the list of models and the year of their dress, along with acknowledgments
of our Narrator, Gentleman Escort, Backstage Manager, Dresser, and the Writer/Director.
Any special acknowledgements would go
here too. This time I’m also including a
request of the guests that if they take any photos, if they would email them to
me. We’ll see if that works since our response using business cards is kind of
slim.
I print them in black and white to keep the costs down. I think an
average cost for about 100 two-sided documents is $20. At our local Staples, I’m
able to drop my sample off one day and pick it up the next. If they’re not
busy, sometimes they say you can come back the same day. I usually wait until
Wednesday to put in my request just in case there are changes in the models lineup.
After that, it’s set in stone. But be prepared for the last minute “real life”
things that occur, which happens. Just be sure your Narrator is notified so she
doesn’t end up describing a ghost on stage.
I also print out a list of the models in numerical order with a short
description of what they’re wearing (blue bustle) and blow up the letters to a
size 72 font in Bold. These are taped on the wall (using blue tape) near where
we enter on stage, and one in the back of the dressing room or wherever the
models can see it ahead of time so they’ll know what order they are. I bring a
felt marker with me and do a quick map of the stage/floor layout and where they
will walk. This works well if it’s the first time you’ve been to the location.
In this particular show, I was able to draw one out ahead of time and can just
print that out.
Considering we have a small space to work in this time, once I get to the site
on the day of the show I have to look and see if there’s enough room to do
this. It may not work. But it’s one of those things that are easily changed at
the moment. Sometimes you just have to fly by the seat of your pants. I had
written up a whole program of who would do what and when, but over the weeks I’ve
weeded things out, cut out fiddly stuff, and fine-tuned it. I’ve realized I don’t
want this so complicated that it causes confusion. A simple guideline works
better.
If you’re lucky to have someone volunteer as a backstage manager or
have dressers, it’s good to have a couple things ready for emergencies. Water in bottles, and a sewing kit, safety
pins and bobby pins are greatly appreciated by the models. Often we just help
each other and we do fine. But we totally appreciate having someone to help us
dress if needed.
When I plan on being in a fashion show I start pulling out everything
I’ll be wearing the week before the show, even if it’s just a piece of it a
day. I either mentally walk through each item I put on, starting with my
undies, and write it down, or pull it out. I’ve even opened up a photo on my
computer of me wearing the dress so I can see what all I was wearing, right
down to my jewelry, wig and hat. Don’t forget the hat pins! Almost every show I’ve
been in I always hear someone in the dressing room asking if anyone has one
they can borrow. I stick mine in my bonnet that I’ll be wearing. Hmm, maybe I
should put an extra one in the repair kit I’m bringing. It doesn’t hurt to send out a reminder to your
models to start getting their kit together.
So that’s it for three days and counting. I’ve already had to send a
few corrections on to our Narrator but that’s to be expected. Back to some
sewing now.
~~Val~~
Oh, GOODNESS! The lady-across-the-street who taught me to read when I was four gave me carte blanche with all her shelves of books, and besides the "chapter books" I claimed for immediate reading were shelves of Vogue and Glamour from the early days. My very favorites, however, were some that I'd "heard of" or read about---many, many issues of Godey's Ladies' Book, with all the graceful wasp-waists and elegant pleats and parasols. And those doll-sized, intricate little shoes. They must have "tripped the light fantastic" indeed.
ReplyDeleteYour blog is such fun!
rachel
Racheld, how lucky you were to receive all those treasures! I've only managed to find two in my price range.
DeleteAnd thank you, I'm glad you enjoy my blog. :)
Val