**One of my favorite photos taken of my Pink Polka Dot dress at CoCo**
Somewhere about eight months ago I began thinking about making
a polka dot bustle gown for a mini theme of “The Polka Dot Parade” at Costume
College for the Friday Night Social. Each year a lot of people are coming up
with mini themes among themselves, and the previous year I had “A Murder of
Crows” with all of us wearing either our mourning dresses, or anything having
black. It was a great success. This year due to many of our group’s “real
lives” getting in the way, the weird weather (yes, that does affect our sewing
mojo), and deadlines, our theme wasn’t much of a success. But as usual the
planning and chatting about it was fun, and it got me to finish mine so I could
wear it.Gathering photos and ideas for a dress are my favorite part of its creation. I’m so much better at that than sewing. I wanted this to have lots of opportunities to have ruffles and lace, and draping, and bows. My ideas bounced all over but I narrowed it down to a mix of these, taking ideas from each. I wanted to try another asymmetrical overskirt again, which would leave an interesting area on the open side for something to hang down. Rows of ruffles around the underskirt. And a square neckline so more stuff could be done to it. Getting the picture? Stuff and more stuff.
Pattern choices were again all Truly Victorian. I’m making
an 1887 bustle dress but wanted the square neckline and peplum of this 1870s TV
#400 pattern for the bodice. My bustle overskirt I chose ended up not being asymmetrical
and I used the new TV #367. My skirt, which was going to be black silk taffeta
and some pink wherever I could use it, would be TV #261-R. After making one of
my last outfits and having trouble with how my skirt would lay smooth in the
front, I discovered I’d been using an 1870s pattern for all my 1880s outfits
for the last 10 years. It was one of the “duh” moments.
Last September the first thing I had to check was if sewing
with this filmy polyester was even going to work. It could be too slippery and
not be smooth on the bodice. Even though the rest of my outfit would be lined
in cotton, I used a cotton twill to line the bodice body itself. If the bodice
would work, where it was most important, then I knew overall it would work. And it
looked lovely. I see now on my notes that I was also going to put a concealed
watch pocket in one of the front seams but I forgot. It will be done when I get
time later.
So that’s as far as I got for 8 months. It sat aside while I
worked on other projects. Two months before Costume College I finally got back
to it and put more of it together. The bodice was simple; I used hook and eye
tape to close the front, which I did before sewing the side seams. It’s my
trick to have a straight closure in the front right off the bat. It works on
the back too if that’s where it closes. I used pink cotton bias tape to finish
the neckline and bottom of the bodice. Then I started playing, the fun part,
with the trims on it. My notes I have say bows down the front. But then I saw
this with the tabs across the front. I made tabs with black velvet ribbon I had
and made the ends pointed. I sewed the one side down and intended to have
buttonholes on the other side to close it but the velvet did not like having
buttonholes put in it. I ruined two of them before I gave up.
So I used snaps to close it. My buttons, which are now
strictly decorative, are tiny brass antique Victorian ones I bought at the Port
Townsend Antique Mall in WA last March. I repeated the velvet bands around my
sleeve cuffs, along with tiny pleats under the sleeves, and finished it off
with a couple buttons for decoration on it too.
Part of my plan was to trim the bottom edges of my bodice
and the peplum with black but I was fast running out of time. But the peplum
did need something to finish it off. I had a bit of the pleated trim left over,
and two buttons, so I put another tab of velvet on the back at the waist, along
with the pleats. And then hand basted some lace inside the neckline.
I pleated some lace onto a strip of twill tape and basted
that inside the neckline. I didn’t trim off the excess lace as I was afraid it
might unravel. The twill tape made it easier to sew rather than through all those
holes.
**So here’s a tip for
you: make a black/brown/cream/white/whatever color skirt that can be used with
multiple bodices and overskirts. You’ll be happy you did. I certainly was.**
The TV #367 overskirt has a combination of gathers, pleats,
and burnouse pleat, and it all seems to be sewn up into the waistband and
backside of it. I kept pinning, pulling it out, pinning it on my dress form,
pinning it on me, and still couldn’t get it right. And what’s with that butt
crack look? Walk away, girl, walk away.
A few days later I attacked it again, and after seeing
someone else’s version, decided my last attempt wasn’t all that bad. Neither of
us are sure we did it right but if it still looks good, who’s to argue? With a
bit of reshaping and tacking things down, it was finally coming together. *But
oops, I found a couple straight pins still holding some together when I wore it
to Costume College* With the last bits of my fabric I made little pleats and
sewed those along the edges of my overskirt, and topstitched 1/8” black velvet
ribbon on top of that. I ran out after doing the front of the skirt but I know
I can get more later and do the two drapes in the back too. *Notice that photo with my ugly thumb? That’s
what happens when you’re hurrying sewing pleats, and the sewing machine wants
to sew your thumb to it too*
Chloe decided she’d better keep an eye on me now.
Ok, so there’s not a Grand Bustle under it at this point,
but it’s starting to look much better!
Oh, and another oops. I had hemmed the overskirt and sewn
the trims on before I realized I’d forgotten to do the V-cut in the front and
there was no way I could do that now without taking everything off. So it’s been
personalized.
I had a couple ideas that I wanted to do on the
sides but again time was running out. This was one of my favorites though with
the buckles and sashes on the side. I wanted this on both sides of my skirt,
and had no time to shop for matching buckles. So at the suggestion of Cindy who
said “shoe buckles!” I used a couple from my stash. They were perfect! How do I
do that? There’s another use for those pretty shoe buckles, so if you see any,
at a great price, buy them!
I made long sashes out of black silk taffeta and draped them
on each side, and hand tacked the buckles to them. Since this had ended up NOT
being an asymmetrical overskirt, it had a twin on the opposite side. Except,
oops, I noticed later at Costume College in my photos that they weren’t *quite*
even on each side. So that will be another fix later.
So now the dress is done, and onto some accessories. I had
big plans for making a postman hat for this, and saw this I wanted to try
doing. But by this time I’m only three days away from leaving, so I pulled out
a black hat I had, took off the purple flowers, and replaced it with some pink ribbon flowers I had yanked off some other hat I’d bought at one time. Its sets
partly on the back of my head, with the flowers up on top.
And
my reticule? I’m a genius. I bought this cute little black purse with
embroidered pink flowers at the Costume College Marketplace last year.
The Finale!
I wore the whole outfit to the Friday Night
Social at CoCo, and it was by far my most favorite dress I wore this year. But
man oh man, was it hot! Polyester is not your friend when it’s warm or you’re
running around. But vanity, thy name is Pink Polka Dots.
~~Val~~
It looks very nice! I loved reading about all the ways you decorated the dress, it's giving me some ideas!
ReplyDeleteIt's so fresh and lovely! But I am with you, I cannot wear polyester at all.
ReplyDeleteYou look so awesome! I love your work. :D
ReplyDeleteOh My Stars and Garters!!!!! This costume just makes me smile! Thank you so much for the step-by-step blog!
ReplyDelete