I
didn’t take many photos during Costume College this year, mainly because I was
talking to people all the time and kept getting distracted. I also kept
forgetting to hand my camera/cell phone to someone to take MY photo too. So I
only have a couple unless others pop up on the internet someday. The story of
my life. I usually take tons of photos to add to my Caught on Camera display we
have there each year. Next year I will be almost totally dependent on what
people send me.
My main excuse? When it was announced I would be the Assistant Dean for Costume College in 2017, which means Dean in 2018, I talked to a lot of people. I have a year to learn how to do this. The position is only for a year, and no, it’s not paid as a friend asked me. Costume College is a costume conference run by costumers. They learn from each other, and the classes are taught by other costumers. All positions are volunteer, and I just wrote an article on that which is on their website.
My main excuse? When it was announced I would be the Assistant Dean for Costume College in 2017, which means Dean in 2018, I talked to a lot of people. I have a year to learn how to do this. The position is only for a year, and no, it’s not paid as a friend asked me. Costume College is a costume conference run by costumers. They learn from each other, and the classes are taught by other costumers. All positions are volunteer, and I just wrote an article on that which is on their website.
Besides my
brain going into a vortex about this, it also went into overdrive of all the
ideas I have for my theme for 2018. I had to first decide what Bonus Track
Classes will be in next year’s curriculum and was given a short period of time
(one day) to choose that. I told everyone since I was a historical costumer, of
course my theme would revolve around that. Earlier I was reminded to make it
all-inclusive of the different genres that attend CoCo. So my Bonus Track
Classes that will be mixed into next year’s selections will be “Understructures
of the Costume”. This will include underpinnings but also structures used to hold
or support the costume, whether it be hoops, armor or wings. My main theme for
2018 is barely fluttering in my head but I have a year to work on that.
I started
out with five dresses I planned on wearing to CoCo this year but just days
before, I whittled it down to three. Once I knew what and when the classes were
scheduled that I wanted to go to, and matched that up with the events, I
decided I didn’t have time to be switching out of one costume to another. And
I’m glad I did because the one day I wore one all day I was exhausted by that
evening with all the running around.
My first
costume was my 1905 Directoire green and brown striped dress with a pleated silk voile blouse. I used this photo
as my inspiration, and it evolved as it went along.
The next day
since I was running from class to class, and also teaching my class on digital
patterns, I chose to wear street clothes and then changed into my 1897 Fuschia
dress for the Gala Red Carpet. I had no really good photos of it, mostly blurry
but the one decent one shows me the sleeves REALLY need to have an under-support.
It was a very lightweight cotton voile, and I wasn’t able to do the puffy
sleeve portion of it since I didn’t have enough of the embroidered lace I’d
used. I do have plenty of the fabric so I may completely re-do the sleeves, And so far I have no photo of the front of the bodice that had the gorgeous lace lapels
on it. I did wear my first tiara though.
I always
seem to have one favorite dress each year, and this time it was my 1870s tea
gown I wore to the Sunday Breakfast and during the rest of the day. It wasn’t
quite as warm as I expected. It’s a beautiful plum color but dang, we look like
midgets wearing them. I guess because of no waistline. I’m 5-4 but look like
4ft in these photos. I also wore my new
petticoat I made the day before I left, but you could only see it when I
walked.
I will be
writing a blog for each outfit when I have time. I’m still getting used to the
300 emails a day that come with being “involved” with Costume College, most of
that being every single comment people make on the posts on the Facebook pages.
But after 8 days it’s starting to slow down. That's why you're getting this today.
I mentioned
the classes I went to: on the first day I took “Fashions of the Great War Period
(1914-1918)”, followed by “Accessorizing Your ‘Teens & Twenties”, then “Designing
for the Era-1890s & Edwardian”. These are my favorite type of classes:
lectures on the styles of the eras. I like the education and seeing photos from
people who know what they’re talking about. I still need a lot of education. My final class would have been “Creating a
PowerPoint Lecture and Connecting to a Projector”. I’ve already been using
PowerPoint for my classes but just with some basic information, and wanted to
learn more. But I got into a conversation with someone, had to get lunch, and
then suddenly found out I’d missed it. Fortunately, the teacher said she will
email me her handout.
I took a
couple photos during classes but due to lighting, they’re not always great.
This was in Heather & Laura McNaughton’s class, “Designing for the Era-1890s
& Edwardian”.
The next
morning, I got up late and missed my 9am class, “Millinery Mockups” (yeah, I
know) and then had to work the Information Desk. I got a little busy there too
and missed another class, “From Boteh to Paisley” (I heard that was great). I
made it to “A Fortnight in 1916”, where Leimomi Oakes (The Dreamstress http://thedreamstress.com/ ) shared how she spent time living as she would have during 1916. She
even brought us chocolate all the way from New Zealand.
A short time
later I taught my class on Conquering the Digital Patterns but I failed to
again ask someone to take a photo of me. Oh well, it wasn’t as if I was dressed
all fancy.
On Sunday I
took all of Lauren Stowell’s (“American Duchess” http://americanduchess.blogspot.com/ ) classes on the 18th
century. At the crack of dawn, 9am, was How to Hack the Simplicity Outlander
patterns (which I have, and have become a fan of the Outlander series). She is
still planning a blog video on this because it’s a lot of details to go into
just in a lecture. But what stuck out for me was picking earth-tones for the
lower & middle classes dresses, try for something other than tartan (I was
corrected to call it tartan or tartan plaid, rather than plaid) and try for
some of the middle to upper classes dresses using the pattern. Of course I said
I wanted to make a tartan since I NEVER get to wear tartan. So that was ok. She
shared her floofy day cap she wears under her hat - http://americanduchess.blogspot.com/2016/07/my-1740s-mutton-chop-cap.html and that the gowns definitely need
the bum pad or hip pads. I had her show what shoes she was wearing and they
were very much like my Burnley & Trowbridge ones but her’s were red.
For more
pretties from the series, check out Frock Flicks posts on Season 1 and Season 2
of Outlander.
If you want
it all, this was my search for any reference to Outlander there.
I took this
photo of one of the ladies in the classroom while admiring her bodice, and
realized JUST NOW that this is Gloria from “In the Long Run”. http://longruncostumer.blogspot.com/
I *knew* Gloria while I was on LiveJournal (a precursor to Facebook) and
have seen her skills grow over the years. I’m sorry I didn’t recognized her at
the time and asked if she remembered me from my LJ blog, “ChloeandRudy”.
I ran into
Lauren a bit later before her next class, “Accessorizing Your 18th C
Wardrobe”, when we both had a chance to sit down and rest, and chat. Isn’t this
beautiful, with all its accessories?
The final
class I took that day was Lauren’s “Creating a Miss Fisher Wardrobe (1920s/30s)”.
It was mostly for my friend who couldn’t attend but I enjoyed it too, as I love
the series also but don’t want to wear the clothes as much. Due to the lighting
I wasn’t able to take photos from her screen images but thought the color chart for Cool & Warm Colors was worth trying to photograph.
Lauren
already has her notes from this class up on her blog. http://americanduchess.blogspot.com/2016/08/how-to-make-1920s-miss-fisher-wardrobe.html
So that’s
it! I missed out on so many classes I wanted to go to but you can’t do it all
unless you don’t plan to eat, sleep, or even rest. And when you throw chat
sessions into the mix, or shopping, you just miss out on some. I came away with
more inspiration, as I always do, and plans on fixing up a couple things I made.
**I forgot to add what I bought in the CoCo Marketplace. A couple of the new Truly Victorian Edwardian patterns, some blue floral brocade coutil for a 1910 corset, silk ribbon flowers and green leaf tendril for a hat, a vintage lace collar, vintage brown feathers, & an antique black trim piece.
Came home to my sweet Chloe, who was still recovering from her bout of respiratory infection and MRSA. She’s as skinny as a rail but we’re getting the fat back on her.
**I forgot to add what I bought in the CoCo Marketplace. A couple of the new Truly Victorian Edwardian patterns, some blue floral brocade coutil for a 1910 corset, silk ribbon flowers and green leaf tendril for a hat, a vintage lace collar, vintage brown feathers, & an antique black trim piece.
Came home to my sweet Chloe, who was still recovering from her bout of respiratory infection and MRSA. She’s as skinny as a rail but we’re getting the fat back on her.
~~Val~~
I don't think you look like midgets wearing your tea gowns...I think it's simply the angle the photos are taken from!
ReplyDeleteI had a nice conversation with my husband t'other night about attending this fabulous event for once in my life. So, depending on my employment situation, I fully intend to finally make it out there next year.
Robin, you should also fill out a scholarship application. It's for prospective attendees, and those who can't afford it. I can write you a recommendation since I know a lot of your background. I want both of you to come!
DeleteVal