Last Summer I started an 1880s bustle outfit that I wanted
to use multiple tones of Autumn colors. After pulling out various colors I
started sewing it and just wasn’t happy with it. It looked lifeless. The brown
skirt was blah and didn’t seem to blend, and the light brown moleskin I used
for the vestee was drab. I think that’s why it got put in a bag and stuck back
on the shelf. But I also wanted to start a Xmas plaid dress so that was more
exciting.
In the last week I’ve started feeling the call of Autumn
colors again and pulled it off the shelf and put it on my dress form with the
copper colored taffeta I was going to use for the apron. Bleh. It’s still not going
to work.
I ripped out the vestee to start over; took off the brown
taffeta skirt, and looked in my fabric stash for inspiration. I came across an
upholstery weight burnt-orange floral I’d bought during my first trip to the
Garment District back in 2003. Now looking at it, it reminds me of Victorian
Orientalism. I draped it over the bodice and copper apron, and it came alive!
But the brown skirt had to go. So I started draping more fabric over my dress
form.
The copper taffeta wants to be the skirt. So I didn’t argue
with it. Since it was already cut out for the apron, I had to carefully plan
how to cut a skirt out of it plus two yards I still had leftover. I was going
to try using the first Truly Victorian skirt pattern I’d ever bought, #208. I
used it for the first dress I made to wear to Costume College in 2003 without
having a clue what I was doing. I had some help from a Civil War reenactor, who
offered to sew the skirt for me, but I ended up with a full circular skirt
according to CW standards. Oh well, live and learn. But when I laid out my fabric for it, I
didn’t have enough. I really needed to use the apron and ties from it though
with my limited fabric. So the apron pieces from Skirt A were cut out from the
orange floral.
I pulled out my two other skirt patterns, TV#201 and 221,
and did have enough fabric to make 201.
At this point I needed to make up my mind how to go from
here because once I started cutting, there was no going back. I only had 3
yards of the orange floral fabric too. So I drew out my ideas on paper and then
draped them over my dressform. The copper will become the skirt. The orange floral brocade will be the vest
insert and collar, and the apron.
My previous bodice had been cut from TV 463 French Vest and
I’m reusing that but I also loved the lapel collar and collar on the new TV466
Alexandra bodice. I asked Heather from TV if I could use that without any
alterations, and she said yes. So that will work fine with my plan.
These are some of my inspiration ideas. I wanted more “stuff”
on the front of the bodice. I’m really liking that bow coming down from the
waist in the front on the second photo.
I bought these glass buttons last March up in Washington
while I was at the Victorian Festival, and at the time they had an orange-ish
tint. But now they almost look purple-ish black but I think they still might work.
Now the fun begins. Here
is the mostly sewn photo, where I’m still playing with the bustle.I think I may let down some of the pleats on
the sides.
~~Val~~
Could it be that the buttons look different due to the lighting? I have a set that appear a solid almost dark olive green under the fluorescent lighting of the store, yet under the 'true daylight" lamp they appear to be blue and green, similar to carnival glass.
ReplyDeleteYes, that's exactly what I thought they looked like when I bought them: carnival glass. I need to take these out in different lights and see what happens.
DeleteVal