2018 Riverside Dickens Festival Fashion Show, & My New Dress

This was, I think, my 10^th year being in the Riverside Dickens fashion show. It’s now the focus of my drive up there each year, and it’s always fun to have a new dress for it. In the Dickens newsletter that is emailed out to everyone, they used our large group photo from last year on the cover for it this year. The fashion show is held at the Riverside County Courthouse, a beautiful historical building and we’re in one of the courtrooms.

I was really excited that I finished my 1855 Green Floral Tiered dress in time for it. I had it finished about a month ago, and had gone on to working on other dresses. And as usual, I didn’t try it all on before wearing it to the event. Fortunately, the only oops were the waist was too big and kept sliding down, so I kept stepping on my hem, and I forgot to add a snap, or even a safety pin to the front closure of my bodice under my green bow, so the bow went wonky. Other than that, I LOVED IT!

My big mult-tiered cotton petticoat was so heavy carrying it, but once I put it on over my hoop, and with wearing my corset, I felt light as a feather. I just loved watching it float around me.

The theme for this year was “Family Fortunes”. We were to find a character, either real or fictional, and tell how we earned/acquired/inherited our wealth. And we could be as serious or funny as we liked.

For my 1855 dress, I chose Lady Augusta Elizabeth Frederica Stanley, a well-to-do woman who lived in Paris with her wealthy parents, and at an early age, became a Lady in Waiting to Queen Victoria in the 1850s, and later married Lord Stanley, the Dean of Westminster. After her death, her letters were combined into a book that’s still available to read today, "Letters of Lady Augusta Stanley: A Young Lady at Court 1849-1863".  In fact, I bought a copy off Amazon so I could read it. I just wished it was available on Kindle.  

I carried my antique 1850s parasol with a mother of pearl tip and handle, and wore my ivory wire-framed collapsible bonnet, that I added some vintage green leaves to it to draw in the green of my dress. As I walked past Queen Victoria and Prince Albert, and their court, who were attending the show, I received a nod from the Queen.

The day before the fashion show, our organizer, Nancy, had lost a few models to illness (bad year for the flu) so Cindy and I offered to wear two dresses. I decided to wear my 1894 Brown Polka Dot dress, and created a fictional character, Elsie McGuire, the Mad Poisoner of Limerick and had fun writing that story.

“In the small town of Limerick, Ireland, in 1894, a woman by the name of Elsie McGuire became famously known as the Mad Poisoner of Limerick, although none would call that to her face, because it couldn’t be proven. Elsie made her first marriage to a small landowner who was able to keep her well-dressed in a beautiful home. But sadly, he died a year later, it appeared from a rare disease.

Two years later, the now wealthy Elsie, met and married another landowner, and they combined their lands to create a large holding. All was well until one day he was found dead, foaming at the mouth. It was thought he may have ingested some fertilizer, but that was the best the local doctor could determine.

Elsie remained a wealthy widow for about 5 years until she met a squire from the next county, who he himself desired to acquire her money. Unfortunately, he died of a heart attack not 3 months after they married.

After a year bereavement, Elsie is now looking for a new husband. Do we have any gentlemen available? “

I carried my 1890s brown leather purse that could hang from my waist, and wore my boater hat with it’s cream bows, gold buckle, and brown feather.

These are the only group photos I’ve found so far but don’t include everyone that day. 

These are two photos of my friends, Cindy and Gina before the show. I thought Gina had the prettiest 1830s dress I’d ever seen.

Earlier in the day, Cindy and I walked around a bit, had lunch, and then stopped by the Mission Inn to take some photos of our first set of dresses for the show.

After the show, we again walked out in the promenade to shop, and to pick up a couple Truly Victorian patterns from Shelley, at the Kansas Mercantile.

And wouldn’t you know it? I overheard someone mention the Gone with the Wind BBQ dress when they saw my dress. Ok, I get it. It’s a big skirt and green floral fabric but I’m 10 years earlier. But I’m glad they liked it.

My thanks to K. Holian, and T. Clevenger, for the photos I included in my blog. 

                                                                 ~~~Val~~~

1894 Brown & Aqua Dots

This was something I was able to sew very quickly to wear to the Port Townsend Victorian Heritage Festival for 2017.

The 1890s have become a new passion for me. Besides it being a very quick and fairly easy pattern to make, it doesn’t require a lot of under-supports that make it hard to travel or move around. I had the two Truly Victorian patterns, #494 -1894 shirtwaist & #291 -1898 skirt for a while, but hadn’t made the shirtwaist yet. After I saw it on two of my friends, I knew it would look good, even though the sleeves in the pattern photo looked “scary”.

So, my favorite part began: researching from various sites of ideas for fabric colors/patterns, different ways to trim the bodice and skirt, hats, purses, and of course hair. Except the hair never happened. I ran out of time before I had to leave town and wear the dress. 

Pinterest has become my go-to site now for photos of extant clothing, and I especially love it when the item is dated, although you still have to be wary of that since even museums get it wrong sometimes. Besides getting ideas for fabric to look for, I picked some of my favorite parts of the dresses for adding a trim to the shirtwaist, and I knew they liked bright colors. I liked the contrasting bow you often see on the back of the collar but later saw it was near the end of the 90s, and my dress would be around 1894. 

For the past year, each time I went to the Garment/Fabric District in Los Angeles, I was keeping my eye out for fabrics that said 90s to me. Finally, this one popped out at me. It was a deep chocolate brown with aqua, dark brown, light brown and cream polka dots embroidered on it, for $3 a yard. Granted it was a curtain fabric, and I had to line it in cotton, but to my eye it was perfect. I happened to have an 8” wide strip of aqua silk taffeta that matched the one dot perfectly, and I had to squeeeeeeeze out bits of it to make my lapels that I finally put on the front of my shirtwaist. I was limited in the width of the lapels by the width of this scrap of fabric. So sad. I’d hoped I’d have enough to do the neck bow but sadly didn’t. However later when I saw that was for a late 90s dress, I didn’t feel so bad. The sleeve shape for that year was different too.

Since I’d made the skirt before, that went together very quickly. I did a separate lining for it in brown cotton and just attached it at the waist with a separate hem. It’s very satisfying to have that hanging on my dress form so quickly. Except then I had a minor disaster. I had been ironing this fabric with no problem on high steam.  The following day after I sewed the pocket in, I turned on the iron, and before it had a chance to get really hot, I set the iron on it, and partially melted an iron-size spot right at the top of the waist. Eep! Why the heck does polyester melt at a low temperature, and not a high temperature?!! In a couple places the fabric had separated so in desperation and a temporary repair, I put Fray-Check on them, and hoped it would be good enough for now. I still have lots of extra fabric. *More on that later in the story.*

I played with the pattern and decided to do the blouse attached directly to the peplum method, without the belt insert. I didn’t plan on wearing the peplum out over the skirt as I’ve seen some do. I also didn’t have to do a lot of fitting on it because it just gets gathered into the peplum and it’s a loose-fitting shirtwaist. That’s one thing that makes this go together quickly. And it’s front buttoning, so yay!

Here’s a note once you start laying out your pattern pieces. The back piece says CUT 2 ON FOLD. You only need ONE.

And when you cut out the humongous sleeves, unless you have 60” wide fabric, you will have to open up your yardage, then fold that end to end, rather than selvedge to selvedge, and cut two that way. So don’t short yourself fabric. The pattern calls for 3 7/8 yds. Just get 4. Make it easy on yourself, just in case you make a mistake, or want to do more stuff with it, as in self fabric trims.

The sleeves call for a netting lining to help hold out all the floofiness. I tried doing this one other time and only lined them halfway but the ends kept wanting to roll up. This time I cut two layers of the wide netting, not the fine tulle stuff, top stitched it to the back of my sleeve fabric, then my layer of cotton lining, and sewed the sleeves together. I used a pair of thread nippers and trimmed off any of the netting I could get to inside the seams because you don’t want that stuff sticking out. It’s scratchy! But the beauty it gives those floofy sleeves is amazing. Later this year I’m hoping to take a class to make sleeve supports for these and my 1830s dresses, but in the meantime, this works. And netting is cheap too. Since it’s so wide, I bought one yard and was able to cut all four layers out of it.

I flatlined everything with brown cotton, then sewed my front plackets on first to the shirtwaist so they were lined up nicely. Then I pinned my side seams on me so they were roughly fitted and sewed them. I sewed the gathers on the body, and on the peplum, after sewing it together, then pulled them in to fit each other. Voila! Next up was the collar, which I just did the standing collar, not a high one because I have a short neck and high necks aren’t so attractive on me. Or maybe I’m not so attractive in them. This then gave me the opportunity to work on my lapels. I drew a pattern as wide as I could, cut it out of the aqua fabric, and lined the back with brown fabric to save on the aqua. I really would have loved to have really wide lapels but it wasn’t to be. Since this is handstitched on, maybe at some later date when I find more aqua taffeta I can remake them. Later I relocated the lapels to be part of the front plackets and liked that better. And the sleeves got attached! Yay, it’s almost done! 

One of my research photos showed some decorative buttons on the front and off I went in search of pretty buttons on etsy. I wanted dome shaped ones and came across these that were plastic but looked like glass and they were brown. They contrasted nicely on the aqua. 

Next up was the corselet. I had considered a belt but I hate making belts, and having to adjust the size all the time. A back-lacing corselet was perfect. *These are not a corset, or the Swiss waists worn earlier in the 1860s.* I made the shorter corselet and amazingly it helped distract your eye from that melted spot on my skirt. I used Truly Victorian #492, and made a matching belt of the dotty fabric, lining the back with brown cotton but also flatlining the fabric with the same. It has short steel boning in it, and I just made my boning channels with the same brown cotton. Here’s a sewing note on it: I think because I do some under stitching on a seam once I turned it right side out to help it stay flat, but I lose a bit of length for the bones, and it barely gave me enough seam allowance to turn under the bones when I finally closed it up. So be very careful when you sew those seams across the top to give yourself enough room to fit the bones in and turn under the seam at the bottom. The next one I made, I just sewed a 1/4-inch seam instead of 1/2 inch across the top and bottom.

With only a week left to finish this before leaving out of town where I’d be wearing it, I panicked a bit on how to get my grommets in for lacing in the back. Since it was my birthday, and I knew this wasn’t the only corselet, or corset for that matter, that I’d need a grommet setter for, I told hubby he was buying me one for my birthday. I bought it online from a company up in Los Angeles, Gold Star Tool, surprisingly near the Garment District. It was also recommended to me by a few others. https://goldstartool.com/Grommet-and-Snap-Press/  I bought the $69 one with one die set. If all you need is the small 00 size grommets that most of us use for corsets, that’s all you need. The photo with the arrows shows you the two die bits it comes with. You don’t need a cutter one because if you’re a costume maker, you know you never cut the fabric. You simply separate the threads with an awl and spread it to hold the grommets. 

The easiest thing I had for lacing mine was brown ribbon. I made it a bit long but it makes a pretty bow in back.

And finally, the accessories. I used an antique purse with a chatelaine I had to hang It from my waist, just like I saw in some 1890s photos. *Remember the earlier Fray-Check needed on my skirt? I think I’m going to have to Fray-Check all the dots on this fabric, because my purse and my sleeve both rubbed against those dots and frayed them. So, I have a big project coming up and probably need to buy a bigger bottle of Fray-Check. 

For my hat, I pulled out a boater with a black band I had, covered the crown with cream taffeta and added stuff. I saw lots of big bows, feathers, and many with a buckle or brooch in front.

So again, out of my fabric stash came this cream taffeta. The flowers came from Michael’s. The buckle was a cheap metal one off etsy, and the scruffy brown feathers came from a Paris flea market that I bought from while in Paris a few years ago.  

I cut a circle of taffeta slightly larger than the crown and roughly basted it over the top. Then I folded over a wider piece to go around the sides and roughly basted that on. I reuse my hats often so that makes it easier to retrim them.  I made large loops of the taffeta to put on the front.

I basted all my trims on, THREE TIMES! until I was happy with it. That’s one good reason why basting them on is good. 

See the bar pin on this lady’s collar, and the comb on the back of her hair? I did wear one of my bar pins with this, and bought a celluloid hair comb for the next time.

Everything was finished in time for my trip to Washington state and for the Port Townsend Victorian Festival that I met up with my friends from SITU, and the Puget Sound Costume Guild. We walked around town and had tea at the Commander's Beach House. *I also put on the fashion show there this year. More on that in another post.*

Back home this young lady has been patiently waiting for me to get back to work on my next project, which I already have started. Yes, it’s another 1890s blouse!

                                                                   ~~~Val~~~